Karolina Majewska-Güde. Historyczka sztuki (UAM, Poznań) i historii wizualnych (Goldsmiths, University of London). Obroniła doktorat w 2019 (HU, Berlin). Mieszka w Berlinie. Pisze, bo lubi.
Karolina Majewska-Güde. Studied Art History (UAM, Poznań) and Visual Histories (Goldsmiths, University of London). Defended her PhD in 2019 (HU, Berlin) Lives in Berlin. Writes, because she likes it.
Badania/Research
Global or Alter- Globalist? Contemporary Central and Eastern European Art Histories/ Curated lecture programme as part of the Global Art History Series at KU, Linz.
The programme is focused on Central and Eastern European contemporary art historical narratives, critical positions and methodologies written in response to the 1989 shift in the global world order and concerned with the issue of globalising regional art and its histories. It problematises both the global perspective in art history from the regional point of view and the strategies of positioning of the regional art history within the global context.
Krytyka instytucji/działanie infrastruktury/ Institutional Critique/ Working of the Infrastructure – projekt badawczy/ research project zrealizowany w ramach stypendium Ministra Kultury i Dziedzictwa Narodowego 2016/ the scholarship of The Ministry of Culture and National Heritage 2016
Artistic practices as the production of knowledges: research-based art and research-based art / Praktyki artystyczne jako wytwarzanie wiedzy: sztuka oparta na badaniach i badania oparte na sztuce. http://piszemowirobi.tumblr.com
Wystawy/ Exhibitions
Irena Lagator Pejović, For the Common Good, KU Linz, https://ku-linz.at/fileadmin/user_upload/Kunstwissenschaften/Ausstellungen/Im_Vorbeigehen_II.17_Irena_Lagator_Folder_engl.pdf
https://www.artandeducation.net/announcements/290068/irena-lagator-pejovi-for-the-common-good
ewa partum. moja galeria jest ideą. archiwum galerii adres, Galeria Studio, Warsaw, 2019, https://www.teatrstudio.pl/en/galeria/aktualnosci/ewa-partum-moja-galeria-jest-idea, Flyer
Waschkaue – dividing line, Mz Baltazar’s Lab, Vienna, http://www.mzbaltazarslaboratory.org/event/waschkaue-dividing-line-by-dorota-walentynowicz-and-karolina-majewska-gude/, Flyer
Techniki Wyzwalania – projekt kuratorski zrealizowany razem z Dorotą Walentynowicz w 2015, Galeria pf, Poznań;
Games with the camera/ past perfect continuous: Ewa Partum (PL), Dora Maurer (HU), Ann Collier (USA) , Lynn Hershman Leeson (USA);
Gender as a camera performance: Verena Dengler (AT), Tomislav Gotovac ( HR) Jakob Lena Knebl (AT), Annegret Soltau (DE);
Me/ you/ she /he /them: Salvatore Viviano (IT), Christina Dimitriadis (GR), Marina Faust (AT), Bogna Burska (PL) Mathilde ter Heijne (NL), Michal Pashtan (ISR);
Post-politics: Andrea Palasti (SRB);
Double absence: Anja Manfredi (AT), Suzy Lake (CA), Sara Galaxia (MEX)
Techniki wyzwalania, teksty w katalogu cyklu wystaw zrealizowanych z Dorotą Walentynowicz, Centrum Kultury Zamek, Poznań 2016; Techniques of Release, essays in the catalogue of exhibition series realised with Dorota Walentynowicz, Centrum Kultury Zamek, Poznań 2016
Talks //// archives, feminism, transformations/translations/circulations
11/04 – “Po co otwierać archiwa?” – dyskusja w Galerii Studio
https://www.wasgehtheuteab.de/berlin/e/fb709bda-ab91-4db1-bf89-e550d20ce86d
https://msl.org.pl/wydarzeniams/archiwum/wirtualne-archiwum-sztuki-kobiet,2605.html
ƒƒ June 2nd, 2016, 7pm // Conversation Circle // On seeing and being seen
http://labirynt.com/konferencja-naukowa-transformacje-w-sztuce-polskiej-po-1989-roku/
scientific methods in art history_picture research
The Sixteenth Century Italian Paintings Volume II: Venice 1540–1600’ by Nicholas Penny.
